SERGEI ISTOMIN & VIVIANA SOFRONITSKY release 'Mendelssohn Complete Cello Works' - It’s a beautiful release from any angle More...

LoganArts Management is pleased to announce the worldwide representation of the fortepianist VIVIANA SOFRONITSKY More ...

GARY COOPER directs Belgium's Finest Baroque Orchestra B'Rock in Bach at London's Wigmore Hall - 21 Dec 2009 More...

ALEXANDER GOEHR is awarded a British Composer Award from BASCA in association with BBC Radio 3 ... More on Alexander Goehr ...**

LoganArts Management is pleased to announce the worldwide representation of the violoncellist SERGEI ISTOMIN More ...

STEVIE WISHART premieres Viriditas for Fo.AM and gRig in Brussels 29 Oct 2009 ... More ...

ALEXANDER JANICZEK directs Stravinsky with the Chamber Orchestra of Europe for new CD for Linn Records ... More...

  • STEVIE WISHART - hear Stevie on BBC Radio 3 Early Music Show - Saturday 30 Oct 2009 and on Listen Again More ...

ALEXANDER JANICZEK gives recital in the new MUMUTH – Haus für Musik und Musiktheater der Kunstuni Graz - 29 Oct 2009 More ...

GARY COOPER & RACHEL PODGER mark the completion of their acclaimed Mozart Cycle with a special concert at London's Wigmore Hall on 7 Oct 09 More...

STEVIE WISHART appears LIVE on BBC Radio 4's Womans Hour and Radio 3's In Tune More...

STEVIE WISHART appears at London's Southbank in Take the Risk 2-4 October 2009 More...

STEVIE WISHART appears at Festival van Vlaanderen GENT 26 September 2009 More...

STEVIE WISHART appears at Festival van Vlanderen Gent in a programme of medieval istampitas 26 September October 2009 More...

ALEXANDER GOEHR premiere at Cheltenham with the Nash Ensemble MORE...

Chris Norman flute

Chris Norman

Hailed as one of the finest flute players of our time, Chris Norman proves over and over again that the simple wooden flute is the original- and still unsurpassed- woodwind of expression, passion, joy and subtlety. His influential work as a performer, composer, recording artist and teacher has brought the simple wooden flute to the forefront as an alternative voice to the modern orchestral instrument.

A musician like Chris Norman comes along, oh, perhaps once in a century. He’s the kind of player whose virtuosity serves the music without becoming the performance itself; whose exceptional technique not only is of the “he’s so good he makes it sound easy” variety, but also frees the music to reel out as if it, the instrument, and the player were one communicative entity.

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