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Download an Information sheet on Stevie Wishart : The Sound of Gesture in pdf format here
Download an Information sheet on Stevie Wishart : Transients in pdf format here
Download an Information sheet on Stevie Wishart : The Myth of Europa in pdf format here
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Stevie Wishart
Selected Press Reviews
- Stevie Wishart die de klank voorhaar rekening neemt. Het is verbluffend hoe zij het helse tempo van haar werk volhoudt ((transl."Stevie Wishart provides sound. It is stunning how she maintains the hellish tempo of her work") Financieel Economische, Antwerp
- De muziek van Stevie Wishart blijft wel fascineren. Zit links van het toneel en verzorgt de ganse soundtrack. Vooral haar excursies op elektronisch gemanipuleerde draailier zijn indrukwekkend. Wishart creëert een meeslepend klanklanschap ergens tussen dance en repetitieve muziek. Peter Anthonissen DE MORGAN, Brussels
- Door de live uitgevoerde soundscape van Stevie Wishart die je stuurt, verleidt en misleidt. DE STANDAARD, Belgium (transl.”Through the live soundscape of Stevie Wishart which guide you, seduces and deceives you). Roel Verniers, DE STANDAARD, Brussels
- "Close on the heels of Writing to Vermeer, here is another sophisticated multimedia venture. Stevie Wishart's live mix of song and sound is an impressive countertext, as in a Godard movie, it tells its own stories and cuts in and out of the action, sometimes providing unusual romantic movie soundtracks with her own voice, sometimes in the alien otherness of a computer talking and electronic pulsings" Keith Gallasche, Adelaide festival, RealTime,
- "We could be looking at a prototype for the concert of the future (Red Iris)", CD review Richard Morrison, arts editor, The Times, London
- "The fiery improviser and medieval specialist Stevie Wishart and her hurdygurdy surface in diverse contexts, including medieval revivalists Sinfonye and jump-cut dada dad Improv of Machine for Making Sense, 'True Grit' ", The Wire, London
- she "built an imposing sonic edifice...sharpened by the ringing and clanging tones she brought out of the instrument [her hurdygurdy]...gradually the piece became a very peculiar hybrid, with shades of Trance and Prog rock, as long distorted notes were laid over the loops. It went down a storm and at the interval wishart CDs were fairly flying off the vendors' trestle tables. LMC' 9th festival of experimentaLmusic Purcell Room, South Bank, London, "Will Montgomery, Live concert review,The Wire, London

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Date : February 2008



