For audio and video samples of some of these works please click HERE
A multiform choreographic piece for four assistants, one cameraman and a dancer, interpreted by Michèle Noiret. The original score developed by composers Todor Todoroff and Stevie Wishart transforms and intertwines the sound textures of the second movement of Beethoven’s 7th Symphony.
Solos for violin, sensors & computer sound transformation/ synthesis. Performances included Concert venue: Mucsarnok (Kunsthalle) Budapest, ZKM the Kubus concert hall at ZKM, Karlsruhe and Muffathalle in Munich, Germany.
Music for dance piece by Michele Noiret, Théâtre Les Tanneurs, and Festival Bellone-Brigittines, Brussels. Lauréate du Prix de la Danse 2006 de la Communauté française de Belgique
Music for video installation PANG Anouk de Clercq, commissioned by Contour 2nd Biennale of Video Art 2005, Mechelen and TEMPS D'IMAGES at Les Halles de Schaerbeek (Brussels) and at the Centre for Contemporary Art Ujazdowski Castle, Warsaw (Poland), September to December 2005.
For surround sound format and uses urban field recordings, electronic generated sound and treatments for voice and string instruments. Music for triple screen DVD installation by Australian artist Margie Medlin; commissioned for 2003 Future Cinema exhibition at ZKM, Zentrum für Neue Künst Media in Karlesruhe.
Produced and commissioned by the Cultural Centre of Berchem, Antwerp, about the lives of Moroccan women in northern Europe. Toured in Holland and Belgium and music performed live by the composer. With Belgian actor Nadia Abdelouafii.
Music for Slow Love by the Australian writer Richard Murphet. Produced in Belgium by Theater
Malpertuis, the piece toured the Flemish theatres during autumn 1999 and then played for the 2000
Telstra Adelaide Festival, Australia.
Sound installation c1000 c2000 with visual artist Joan Grounds commission for Art Gallery of NSW, Sydney, with funds from the Australia Council. Included stereo soundscape and 8 channel sound diffusion.
Multimedia performance bringing together music from 14th century Italy (istampite) with projections from medieval manustripts, live close-circuit camera, and reciter. Designed by Blanchette, produced by Boris Kelly of Mob Productions funded by Australia Council New Media award.
Installation with artist Joan Grounds for CACSA Contemporary Art Gallery of South Australia in Adelaide. The piece explores the medieval system of visualising music on the palm of the hand, the hurdy-gurdy, and how they embody space and architecture.