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Complete Works | Opera & Music Theatre | Orchestra | Chamber ensemble & Instrumental | Choir | Gallery & Foyer Sound Installations | Improvisations
G A L L E R Y  A N D  F O Y E R  S O U N D   I N S T A L L A T I O N S  

The Sound of Gesture, 2010
Music-video installation
Commissioned by Netwerk / centrum voor hedendaagse Künst, Aalst Belgium with support from ADK, Akademie der Künst, Berlin
Exhibition at Netwerk/centrum voor hedendaagse Künst, Aalst Belgium, May-June 2010
Instrumentation: violin, sensors & computer sound transformation/synthesis
view images from the gallery installation at Netwerk, Aalst, Belgium HERE

Ophelia, 2005
Soundtrack for video installation by Anouk de Clercq
Commissioned by Contour 2nd Biennale of Video Art 2005, Mechelen and Temps d'Images for the exhibition Pang
Exhibition at Les Halles de Schaerbeek (Brussels) and at the Centre for Contemporary Art Ujazdowski Castle, Warsaw (Poland), 2005
Instrumentation: Electronics

Miss World, 2003 
Soundtrack for triple screen film installation by Australian artist Margie Medlin
Surround sound format using urban field recordings, electronic generated sound and treatments for voice and string instruments
Commissioned for 2003 Future Cinema exhibition at ZKM, Zentrum für Neue Künst Media in Karlsruhe

UT, 1998 - 2001
Drawn on Sound with artist Joan Grounds
Commissioned by the Art Gallery of New South Wales, Sydney, Australia
The piece explores the medieval system of visualising music on the palm of the hand, the hurdy-gurdy, and how they embody space and architecture
Sound installation opened at Arts Gallery of New South Wales, 1998 and was re-designed for CACSA Contemporary Art Gallery of South Australia, Adelaide, 2001

Red Iris, 2000 
Medieval violin, reciter, video and live sound
The enigmatic instrumental pieces known as "istampitte" from the Italian trecento are played solo as a staged performance with swathes of white cloth showing projections of exquisite images from medieval frescoes and from the original musical manuscripts, together with live close-circuit camera projections of the musicians as she plays medieval violin and hurdy-gurdy. Designed in Sydney by Blanchette, and produced by Boris Kelly and Mob Productions with funding by an Australia Council New Media award.
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