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"The integrity of Murray's playing – strong, resourceful and inventive – was mightily impressive. And the calm, reflective power she summoned in the Carter (pieces you could fairly call beyond-late works, since they were largely written in his 90s) was remarkable, when you could hear it."
Hampstead Arts Festival, October 2013 - Michael White, The Catholic Herald, 18th October '13 “Tai Murray is a violinist of the first rank.” KZN Philharmonic Orchestra - Michael Green, Artsmart, Sept 2013 “…there was no doubting the power and skill of Murray’s playing. She handled the technical problems with aplomb and showed a beautiful cantabile tone in the calm, reflective passages. The prolonged applause at the end was well deserved.” Latoya Newman, Tonight, 18 September 2012 “…grace and seemingly effortless…Technically flawless, the melodic lines are spoken beautifully and in a manner that belies Murray’s ender years…blissfully sweet phrases…with a debut record this outstanding, it can safely be assumed that she will exceed many expectations –she’s certainly exceeded mine.” Francesca Treadaway, Muso Magazine, March 2012 “…dringt Tai Murray ins Herz einer Terra incognita vor. Macht Lust auf mehr.” Kai Luehrs-Kaiser, Fono Forum, April 2012 “…la jeune femme fait montre d’une maitrise quasi parfaite ; son instrument résonne dans la salle tel le phénix prenant son vol;…donnant à la musique de Bernstein une moisson de couleurs et de sonorités qui n’auraient certainement pas déplu au compositeur lui-même.” Adrien De Vries, Classique News, 17 November 2012 “…Murray clearly is a thoughtful interpreter…and she shows an admirable understanding of structure and context…” David Vernier, Classics Today, February 2012 “Ihre perfekte Bogenbeherrschung bestimmte Dvoraks a-Moll-Violinkonzert.” Siegfried Kouba, Schwarzwälder-Bote, December 2012 “Her performance, concentrated, fluent and poetic, was mesmerizing, at once vivid and seemingly belonging to a distant world.” Tim Homfray, The Strad, January 2011 “…a spellbinding account of Berg's violin concerto…” Alfred Hickling, The Guardian, Thursday 6 January 2 2011 “…a violinist with more than technique on her mind…possessed exceptional assurance and style.” Lesley Valdes, Philadelphia Inquirer, January 2009 “Voilà une jeune artiste qui n’a pas froid aux yeux…et qui a raison d’être audacieuse. À surveiller.” Frédéric Cardin, La Scena Musicale “…produces a wealth of colour and more dynamic shading than you will find elsewhere…” David Denton, The Strad |
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